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Bussola Versilia
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The Focette La Bussola Versilia Marina di Pietrasanta (Lu)
Bussola Versilia is the name that is indicated by the 2007 Compass Focette, which together with Shed Franceschi, one of the most famous historical towns of Versilia (LU). The restaurant, located on the promenade of Marina di Pietrasanta, was created by the historian Sergio Bernardini owner and inaugurated in 1955 [1]. La Bussola Versilia is located on the promenade of Marina di Pietrasanta, Viale Roma 44, Le Focette, Tel: 347 477 477 2 [2].
Index
[hide] * 1 History
or 1.1 Compass Focette
New Year 1968 + 1.1.1 + 1.1.2
Compass, Compass and Bussolotto Tomorrow
or 1.2 From the bush to bush Focette Versilia: the turning point
1.2.1 + Compass today: Bussola Versilia
References
* 2 * 3 References * 4 External links
* 5 External links
History [edit] The Compass
Focette [edit]
View of the pool La Bussola Versilia "
The Compass said with national and international artists who made it one of the landmarks of Italian and international scene. Among the Italians can not be mentioned musicians and performers like: Ornella Vanoni, Fred Bongusto, Fabrizio De André, Adriano Celentano and Patty Pravo, Mina Milva and especially here that he held a series of concerts between 1962 and 1978. While international artists stand out among the names Juliette Greek, Ella Fitzgerald, Ginger Rogers, Louis Armstrong and Marlene Dietrich. [3]
New Year 1968 [edit] The
December 31, 1968 takes the challenge of the Student Movement targeting the compass Focette rather fashionable in those years. The situation is quite tense since the early hours of the evening. Thousands of protesters besiege the area which will perform Bongusto Fred and Shirley Bassey. The office of the police, the protest degenerated into clashes that last all night. At the end of the wounded will be fourteen, including the student Ceccanti Soriano, hit by a gunshot to the back, will be paralyzed.
Compass, Compass Bussolotto and Tomorrow [edit]
addition to Compass, Bernardini opened the sleeve, connected to the local bush, but dedicated to jazz music, where, among others, performed several Romano Mussolini times.
in 1978 gave birth to Bussoladomani Bernardini, a place of entertainment not far from the bush, where, under a tent, could perform the same artists who sang or recited to the compass, but before a much wider audience. It was here that in the summer of 1978, Mina gave his farewell to the stage with a series of memorable "night live crowded public rejoicing. He saw, among others, performances by artists such as Renato Zero and a nascent Gianna Nannini. Bussoladomani subsequently developed as a place of theatrical representations that singing [citation needed]. The compass was
a significant development for the entire final period of the twentieth century, until the death of Sergio Bernardini (October 4, 1993) [4]
August 2007 [5] The compass was closed for night sounds annoying, but already from September and October of that year opened the new direction of the compass: the compass Versilia.
From bush to bush Focette Versilia: the turning point [edit]
On 6 October 2007, the Compass Focette changed its name to Compass Versilia [6].
Compass today: Bussola Versilia [edit]
The local is now one of the most popular view of Versilia. Since 2007 he has become one of the main points of reference new trends in the world of night, hosting the most famous Italian producers and DJs. The room has a double role. Winter with two rooms on two floors, one tends to be more geared to house music, the other more commercial and revival. Summer: the main hall remains open while the upstairs "closed" and moved in the garden with two swimming pools and beach access.
References [edit]
* Article on Rock and hammer on the emergence of Sergio Bernardini Retrieved 22/6/2009
* Night Blog Bussola Versilia Retrieved 3/10/2009
* Article on the History of the Night Blog Compass Retrieved 20/6/2009
* Article in the Corriere della Sera over the death of Sergio Bernardini Retrieved 20/6/2009
* Article on Panorama for the closure of the Compass Retrieved 20/6/2009
* / Service Enjoy Television on YouTube for the unveiling of the Retrieved 26/3/2010
Bussola Versilia
1. ^ Hammer and Rock Art. cit.
2. ^ Night Art Blog. cit.
3. ^ Night Art Blog. cit.
4. ^ Archival courier art. cit.
5. ^ Panorama art. cit.
6. ^ Enjoy Television Art. cit.
References [edit]
* Marina di Pietrasanta Versilia
* * Disco
Other
[edit] Commons
* *
Wikimedia Commons Wikimedia Commons has media related Bussola Versilia
External links [edit]
* La Bussola Versilia - The Night Blog
* Biography of Sergio Bernardini
From Compass
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Stub music albums music albums on this
This item is only a draft.
You can help Wikipedia, the free tips and reference design. From Compass
"cover from the bush
▼ expand
Cover Alternatively
Artist Featuring Mina
{{{}}}
featuring the album Live
Publication 1972 Duration 33 min: 33 s
albums from {{{}}} from album
Track 9 Disc 1 Genre Pop
Executor {{{performer}}}
PDU Label Editions
{{{editions}}} {{
Manufacturer
Arrangements arrangements {}}} {{{director
Director}}}
Recording Formats
{{{format}} Notes}
No. catalog: PLD 5061
Awards
Golden Records
platinum round diamond {{{number}}} diamond disks
Mina - History
Previous Album Next Album
Cinquemilaquarantatre
(1972) Other
(1972)
second discography} {{{}} - History
Previous Album Next Album
third discography {{{}}} - History
Album previous albums next
is invited to follow the pattern of the Music Project
From Compass is an album by Italian singer Mina, issued in 1972 by record company EMI Italian PDU with distribution.
Disc [edit]
Released in tandem with more under the title 1 +1, the two albums (and more than compasses) were sold in an envelope with all white embossing the name of the singer and the title 1 +1. The first in a series of double discs and marketed individually.
In 1 +1 are inserted two booklets for the two albums, with the peculiarity that the more added to its left, it opens normally, while that for a quote from the bushes on the right opens the wrong way as a Hebrew text. The first edition of the disc, sold individually, present and fully laminated gatefold cover, with the libretto, this time normally printed, stapled inside. Only a small photo on the back and no credit. In the booklet, in addition to loans, the photos taken by the show. The reprint is in a sealed envelope, opaque, with credits on the back, which presents a different picture. The reprint edition has been shaped CDs.
The 33 rpm is opened and closed by the initials The Groove Merchant and is a recording of concert held at "La Bussola" September 16, 1972.
There is also a video recording, now on sale as DVDs, where you see the concert in its entirety. On the record, in fact, there is the medley of songs belonging to the repertoire of Mina. Traces
[edit]
1. The groove merchant (Instrumental) - 2:53 - (Jerome Richardson)
2. Fly Me to the Moon (In Other Words) - 2:30 - (Bart Howard)
3. Thinking Of You - 3:31 - (Lucio Battisti-Mogol)
4. River blue - 3:40 - (Luigi Enrico Albertelli-Riccardi)
5. I will live (without you) - 5:12 - (Lucio Battisti-Mogol)
6. You've Made Me So Very Happy - 3:23 - (Berry Gordy, Brenda Holloway-Patrice Holloway, Frank Wilson)
7. Laia ladaia (Reza) - 3:41 - (Edu Lobo-Ruy Guerra)
8. Someday (You want me to want you) - 7:25 - (Jimmie Hodges)
9. The groove merchant (Instrumental) - 1:31 - (Jerome Richardson)
Versions Track [edit]
* And I think of you:
studio version '71, see Mina
TV Live '72 version with Lucio Battisti, see Signori ... Mina! vol.1
English version '72 Yo pienso en ti, see my love (English Album '72)
* Blue River:
studio version '72, see Cinquemilaquarantatre
* I live (without you):
'71 live version, see my best
Guy Hair How To Get Rid Of Poofy Hair
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Compass
From Wikipedia, the free encyclopedia.
Jump to: navigation, search Disambiguation
Compass - If you are looking for other uses, see Compass (disambiguation).
classic compass orientation topographic
The compass is a tool for the identification of the cardinal points. It comes with a magnetized needle that, free to rotate on a pin, has the ability to align along the magnetic field lines indicating the earth's north-south direction (within the limits of error due to the magnetic declination) .
The use of the compass is essential in the open sea, in vast areas where there are no reference points, as well as references to locate the presence of direction finding with respect to them. Used with a watch and a sextant is possible to have a very accurate navigation system. This tool has improved the navigation easier maritime trade and sea travel by making them safer and more efficient.
the compass can be associated with a sundial that lets you know the hour of sunshine during the day, simply by observing the shadow produced by the bar, perpendicular to the needle, after it was positioned to the north.
The compass takes its name from the wooden box of box that originally contained this instrument [1] [2].
Index
[hide] * 1 History
compass
* 2 Using a compass
* 3 Construction of a simple compass
* 4 Bushes from modern marine and terrestrial orientation
or 4.1 In the absence of the compass ...
* 5 Possible causes of errors
* 6 Notes * 7 References * 8 External links
* 9 See also
History Compass [edit]
The invention of the compass is attributed to the Chinese and the Vikings. They discovered that the Earth's magnetic field was used as a form of spectacle: Ex arrows were thrown randomly magnetized, as is done with the dice, and "magically" These were aligned to the north, impressing the audience. In the bushes was set free to rotate a needle that you always have in the north. Once we know the position of the north was it identify the South as in the opposite direction, while the east and west were, respectively, to the right and left of the observer facing north. It is certain that the use of the compass as a navigational tool dates back to 1100 at the Chinese themselves. It was introduced in Europe in the twelfth century, probably by the Arabs: the first refers to the use of the compass in navigation in Western Europe is the De nominibus ustensilium Neckam Alexander (1180-1187) [3].
The legend has it that the compass was invented by Flavio Gioia of Amalfi stems from a misinterpretation of a Latin text, which referred only to the invention of the compass was attributed by the historian Flavio Biondo to Coast: the philologist Giambattista Pio understood however that the compass was invented dall'amalfitano Flavio Gioia. The text in question (in Campania Amalphia veterinary Magnetis usus inventus Flavio traditur), however, do not understand Flavio as the inventor of the compass, but only as one who reported the news: Flavio Biondo precisely [2] [4].
Using a compass [edit]
A scout uses a compass to indicate
addition to the north, the compass has the line azimuth. Putting the bush eye looking through the viewfinder and tilt "the support of the viewfinder so that you look through the line azimuth can be seen simultaneously with the lens are many degrees. Beside the compass is also the line with scale 1:50 '000 meters to record the map.
Construction of a simple compass [edit]
compass orientation should
magnetic pole, which can be constructed by aligning a rod of steel or iron with the magnetic field before or hardened strike repeatedly (this method, however, generates a very weak magnet, and then it is advisable to use another more effective). After a magnetic rod should put it on a low friction surface with which it can move to align with the magnetic field land. Finally indicating the cardinal points you get a simple but functional compass.
The easiest way to build a compass is to magnetize a needle or a needle, then place it gently on a small waterproof body and floating in a glass of water. The nearly frictionless water will rotate the needle aligned with the Earth's magnetic poles. Compasses
from modern marine and terrestrial guidance [edit]
modern compasses, especially nautical, crowns are made of swiveling on a pivot immersed in liquids of low density (one of the first was used alcohol) and enclosed spherical transparent domes. On the outside or top of the crown are the compass heading (0 º = North, 90 º = East, 180 ° = South, 270 ° = West), with intermediate degrees (usually you get to five degrees lower grades would make it unreadable the instrument). The device provides a reliable reading in this way despite the boat movements on three axes (roll, pitch and yaw). They consist of magnetic pole inside a capsule filled with a fluid, the fluid allows the auction to stop quickly without swinging in the direction of the magnetic north pole.
compass orientation and geology with mirror and clinometer
Other common characteristics of bushings that are held in their hands, are the possible presence of: *
a plate below, with a ruler to allow the measurement of distances on maps, maintaining the same oriented;
meters * a small wound within rotating un'incastonatura that allows measurements to be made;
* pointing mirror that allows a user to simultaneously see the compass needle and a distant object to measure, pointing a crosshair, the angle formed between the user the subject and a cardinal point, generally north (azimuth);
* a clinometer, or plumb pendulum swinging on a scale to measure inclinations from the vertical, such as geological strata;
* a bubble or spirit level to make the tool flat.
* In some instruments the bearing scale is not external but is integral with the needle, so that sighting a distant point either directly read the azimuth.
Many modern compasses also allow an adjustment for magnetic declination, the difference between true north and magnetic pole, with a simple phase shift of the protractor scale.
In the absence of the compass ... [Edit]
Since ancient times humans had to solve the problem of orientation. During sunny days, just observe it. In fact, they noticed that the sun was rising towards the east and sets to the west. The South corresponds to the position of the sun at noon, and the North to the opposite position.
Considering this fact and using an analog clock, with hands, synchronized on solar, it may also find the north by projecting the shadow of a straw in the center of the dial kept horizontally on the hour hand. The north / south will be given by bisecting the angle between the shadow and the line passing through the center of the clock to twelve o'clock.
use it, at night, even the stars. The North Star is always above for example of true north: we will be looking right arm to the east, west and behind the left we have the south.
Possible causes of errors [edit]
* The north magnetic pole does not correspond exactly to the geographic North Pole: the angle between magnetic north and true north, called magnetic declination, which varies depending on location and over time . Therefore, to determine true north, the magnetic compass is subject to a systematic error, the greater the closer you get to the poles. In order to indicate true north, you can use a gyro compass.
* The presence of strong magnetic fields affect the correct detection Earth's north by a magnetic compass. The same happens if the compass is placed near metallic objects (in fact, the magnetic needle will point towards the metal).
Compass Aviation
* Other possible causes of failure are high acceleration or the inclination rate on the compass, for example in some aircraft applications. If a plane veers to the north, the compass, due to the change of inclination, at first wheel in the opposite direction from where the plane is turning, then begins to follow the turn to realign with the North only when the aircraft is straightened out, if the plane towards the south, the effect is the opposite: the first turn seems more pronounced and then, when the plane straightens, the compass back. However, if the plane flies mainly east or west, in the case of acceleration the compass moves northward, in the case of deceleration to the south. All this applies in the northern hemisphere (the opposite is true in the southern hemisphere).
Notes [edit]
1. ^ The compass - Treccani.it
2. ^ Ab Galeotta was the point - Sapere.it
3. ^ Kirsch, JP (1911). "Alexander of Neckam (Nechama). In: The Catholic Encyclopedia '. New York: Robert Appleton Company. Retrieved June 14, 2009 from New Advent: ([1])
4. ^ Clare Frugoni, Middle Ages on the nose. Glasses, buttons and other medieval inventions, Laterza, Roma-Bari 2007.
References [edit] Cardinal Point
* * * Wind Rose
Gyro Orientation
* * * Pixidis nautical
Chiesuola
External links [edit]
* Guide * The alleged invention of the compass
Compass Compass (disambiguation)
From Wikipedia, the free encyclopedia.
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logo This is a disambiguation page to navigate between items of the same name or title. If you arrived here from
another page, please go back and fix it to point directly to the intended article.
Index
[hide] * 1
Tools Tools
* 2 * 3 * 4 Architecture
Mechanics Astronomy
* 5 * 6 * 7 Personality
Company
* 8 See also
Tools [edit]
* Compass, you need to know the compass points North, South, East and West.
* Gyro, compass-type gyro
Tools [edit]
* Compass (mechanics), hex or polygonal, to be used together with a tool.
or key bushings, key that allows the use of compasses
Architecture [edit]
* Compass (architecture)
Mechanics [edit]
* bush or bush, this component is also known as the bush .
Astronomy [edit]
* Compass (constellation) or
of stars in the Compass
or non-stellar objects in the constellation of Personality Compass
[edit]
* Dionigi Bussola
Company [edit]
* The historical
Compass Local Versilia, which opened in the fifties and famous for seeing exhibitions and launches Italian and international music stars
References [edit]
* From Compass, music album
* The Golden Compass, the 1996 novel of
Philip Pullman * The Golden Compass (film), 2007 film based on the novel
Compass (mechanical)
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bihexagonal double hex square drive 1 / 2 inch
Compass insulated with 13 mm hex square drive 1 / 2 inch
Compass hex square drive 1 / 4 inch
The compass (in the socket mechanical jargon international English) is a key-like cylinder of various sizes made of steel, one end has a hexagonal or polygonal profile socket and takes the object to rotate, the other is female square plug (usually 1 inch, 3 / 4 ", 1 / 2", 3 / 8 ", 1 / 4") and welcomes the special tool that you will use to rotate. The torque can be exercised as the result of forces applied on the edges or the faces of the nuts and bolts of construction depending on the geometry of the profile. It is preferable to exercise the power on the faces instead of edges to transmit more torque and protect them from premature wear, the profile shape for this purpose is said to full contact. The polygonal shape allows easier placement and sometimes angled. There are models for octagonal square profile and square nuts.
compasses are widely used in engineering. These are called metric or imperial, depending on whether their measures are expressed in metric units (usually millimeters) or imperial (usually inches). It is fitted with ratchets and wrenches on both compressed air driven tools is key to a T, with extensions and extenders cardan joints to work in awkward positions or cramped places. Various adapters allow you to use them with square keys on other dimensions. They are very robust and produce considerable twisting forces without damaging the nut. They are also sold in convenient case (set) with a number of measures, ratchet, extension joints. Some are coated with an insulating material for use in the electricity sector. The tool for manipulating it can be: *
wrench: looks like the common key, but ends with square instead of male beak or key ring
* T: Long key usually articulated at one end that ends with square male or welded sleeve at the other extreme grip T. The handle is a steel bar, usually removable, flowing in a loop. It is widely used to get nuts in tight spots or inside pipes
* Ratchet: it has a reversible mechanism that allows you to use force in one direction and turn in the trip-free, so as to rotate with ease sleeve without removing it from the nut and reposition it at every turn
* wrench: similar to ratchet it allows you to adjust the torque, is very expensive
* key crank or elbow is held with both hands and can be rotated very quickly, however, is cumbersome and needs space to be operated handle
* screwdriver: it is essentially the same as a screwdriver, but ends with square male
Index
[hide]
* 1 * 2
Crowfoot compass compass oil filter
* 3 References * 4 External links
Compass Crowfoot [edit] Compass
Crowfoot
uncommon, is closer to a key ring that a compass, however, fall into this category and is operated with the same tools. It is almost always operated by a third line extension since the use would not offer advantages over traditional keys. Its semicircular shape is low profile, or a hex broken and can squeeze in tight spaces where a normal compass would not ease. The attack framework for the tool but is not coax side, it alters the length of the lever arm and therefore the torque when used with the wrench.
Bush for oil filter [edit]
Bush for oil filter wrench that also
bowl is wider, lower and grafted on the polygonal head of the oil filter used in the engine lubrication in the crankcase (excluding the engines sump pump). It is made in various shapes and sizes to fit large series of filters; they vaguely cylindrical shape whose top is knitted polygonal profile and can be used as a grip area to rotate, but their housing is lightweight sheet metal and is destroyed easily when the tightening is over. In this case, the key to bowl becomes moot, and must proceed with more drastic methods.
References [edit]
* Key (mechanical)
* Workshop (mechanical)
wrench sockets
From Wikipedia, the free encyclopedia.
Jump to: navigation, search
ratchet wrench for sockets
The key to is a sleeve type key used to rotate the sleeves and is also called key bushings.
usually takes the form of plastic or metal handle bar with the ends of which there is an attack when grafted under the corresponding tang of the compass. The attack is uniform in size, 1 inch, 3 / 4 ", 1 / 2", 3 / 8 ", 1 / 4" and often have a side bead spring to hold the compass.
Examples of sleeves are the keys to ratchets and wrenches.
History [edit]
was invented by Joe Johnson, employed by a company of mechanical tools in Milwaukee, Wisconsin (USA). He set up together with my colleague William Seidemann the Snap-on Wrench Company to market his invention and had considerable success. Today the company is called Snap-on Inc. is headquartered in Kenosha, Wisconsin (USA) and is among the most important tools in the manufacturing sector of American mechanics. Other
[edit] Commons
* *
Wikimedia Commons Wikimedia Commons has media related to wrench sockets
Compass (architecture)
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The compass is an architectural element consisting of access to buildings from an enclosed environment separated by two doors, one that gives access to the outside and one that gives the building where it is placed.
is a very widespread in the churches, where the compass, usually made of wood, creating a small access area built inside of it.
The compass is also an inevitable element in the bank buildings where, in reinforced anti-theft and anti-burglary, with a metal detector to control the entry of weapons, controls the access of customers (usually a person at a time ) to the indoors.
Compass (constellation)
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Compass constellation Pyxis constellation map.png Map
▼ expand
See the image of the constellation
Pyx.png
compass image
Latin name
Genitive
Pyxis
Pyxidis
Abbreviation Pyx
Coordinates
ascension 9 h Declination -30 °
Total area 221 square degrees
visible from Earth observation data
- Latitude
Minimum - Maximum Latitude
- Transit
the meridian 50 ° -90 °
March
main
Stella - Magnitude app. α Pyx
3.68
Other stars
- Magnitude app. \u0026lt;3
- Magnitude app. \u0026lt;6
No
18
meteor showers
None
Bordering constellations
From the east, clockwise:
* Hydra
Poppa
* * * Sails
Antlia
Compass (Latin Pyxis) is a minor southern constellation introduced by Nicolas Louis de Lacaille under the name Pyxis Nautica. It is sometimes considered to be the compass of the ship Argo, although the ancient Greeks certainly did not use compasses to navigate, but it seems that its faint stars were considered in antiquity come l'albero maestro della nave.
Indice
[nascondi]
* 1 Caratteristiche
o 1.1 Stelle principali
o 1.2 Stelle doppie
o 1.3 Stelle variabili
* 2 Oggetti del cielo profondo
* 3 Sistemi planetari
* 4 Note
* 5 Bibliografia
* 6 Altri progetti
Caratteristiche [modifica]
Illustrazione della Nave Argo ad opera di Johann Hevelius.
La Bussola è una piccola e oscura costellazione situata ai margini della scia luminosa della Via Lattea, ad est della Poppa e a nord delle Vele; occupa una regione di cielo particolarmente povera di stelle appariscenti, mentre lo sfondo è full of stars from the seventh magnitude, especially on the southwest side. The shape of the constellation is outlined by three stars of the third and fourth magnitude, aligned in a north-south, it is inherently very luminoisi three stars, but their great distance will decrease the brightness. In addition to these there are some stars of fifth magnitude. This is the smallest part that has been divided the ancient constellation of Argo, and in particular its nomenclature Bayer is completely independent, unlike the other three constellations being once part of the ship.
The best time for your observation in night sky is between the months of January and May, from the northern hemisphere its detection is difficult because of its southern declination moderately, while from the southern hemisphere is more easily traced. In both cases you must still dark skies and pollution, possibly without the Moon.
of stars [edit] Main article
Main article: List of stars in the Compass.
* α Pyxidis, sometimes known as Al Sumut, is a giant blue magnitude of 3.68, that is 845 years light. * Β is
Pyxidis a yellow giant of 3.97 mag, that is 388 years light.
Pyxidis γ * is a giant orange magnitude of 4.02, that is 209 years light.
Double Stars [edit]
The constellation contains several double stars rather large.
Pyxidis α * The eighth magnitude companion has a well-resolved even with binoculars through the separation of more than 1.5 arc-minutes, but in reality it is not a physical system, but only prospectively. * The Pyxidis
ζ is a yellow star of fifth magnitude which has a tenth-magnitude companion, although their separation is of nearly 1 arc-minute, low luminosity of secondary component causes it to be observable only with an amateur telescope. Main
double stars [1] [2]
Name
time J2000.0 equatorial coordinates
Magnitude
separation (in arcseconds)
Color
AR
Dec
AB
ζ Pyxidis 08h 39m 43s -29 ° 33 '39 "10.0 5.51 52.3 g α + g
Pyxidis 08h 43m 36s -33 ° 11' 11" 3.68 8.05 98 g + azz
HD 77737 09h 03m 16s - 33 ° 36 '02 "7.15 8.16 b 13.7 + b ε
Pyxidis 09h 09m 57s -30 ° 21' 55" 5.56 9.25 b 17.8 + b
Variable Stars [edit]
Variable stars are a kind of compass inconspicuous, with the exception of some eclipsing variable, such as TY and VV Pyxidis Pyxidis, both oscillating between the sixth and seventh magnitude, and easily visible even with a small pair of binoculars, both during those in maximum to minimum. Main
variable stars [3] [1] [2]
Name
time J2000.0 equatorial coordinates
Magnitude
Period
(days) Type
AR
Dec
Max Min
S Pyxidis 09h 05m 05s -25 ° 05 '20 "8.0 14.3 206.10 Mireide
TY Pyxidis 08h 59m 43s -27 ° 58' 49 "6.85 7.50 3.1986 Eclipse
UZ Pyxidis 08h 46m 36s -29 ° 43 '41" 100 6.99 7.47: semiregular (carbon stars)
VV Pyxidis 08h 27m 33s -20 ° 50' 38 "6.57 7.05 4.5962 Eclipse
deep-sky objects [edit] Main article
Main entry Items no star in the constellation of the compass.
Despite the partial presence of the Milky Way, the constellation does not contain galactic objects particularly striking.
Among open clusters is the only affordable for small tools is NGC 2627, which contienene some stars of the tenth and eleventh magnitude. Main
non-stellar objects [4] [5] [2]
Name
time J2000.0 equatorial coordinates
Type Magnitude
apparent size (in arcminutes)
Names
AR
Dec
NGC 2613 08h 33m 23s -22 ° 58 '23 "Galaxy 10.6 7.2 x 1.8
NGC 2627 08h 37m 14s -29 ° 57 '01 "11 8.4 Open cluster Planetary Systems
[edit]
Among the stars with planetary systems confirmed the constellation is a red dwarf star located only 29 light years from the Sun, Gliese 317, confirmed the star has a planet with a mass greater than that of Jupiter orbiting at a distance similar to that which exists between the Earth and the Sun plus one unconfirmed second planet at a distance greater.
planetary systems [1]
System Name
time J2000.0 equatorial coordinates
Magnitude
type star
Number of planets
confirmed
AR
Dec
HD 73267 08h 36m 18s -34 ° 27 '36 "Nana yellow 8.90 1 (b) HD 73256
08h 36m 23s -30 ° 02' 15" Nana yellow 8.08 1 (b )
Gliese 317 08h 40m 59s -23 ° 27 '23 "12.0 red dwarf 2 (b - c)
Notes [edit]
1. ^ Abc Result for Various objects. SIMBAD. Retrieved on June 4, 2009.
2. ^ Abc Alan Hirshfeld, Roger W. Sinnott, Sky Catalogue 2000.0: Volume 2: Double Stars, Variable Stars and NonstellarObjects, Cambridge University Press, April 1985. ISBN 0-521-27721-3
3. ^ The International Variable Stars Index - AAVSO in Results for various stars. URL consultato il 20 giugno 2009.
4. ^ The NGC/IC Project Public Database in Results for various objects. URL consultato il 20 giugno 2009.
5. ^ NASA/IPAC Extragalactic Database in Results for various stars. URL consultato il 20 ottobre 2006.
Bibliografia [modifica]
* (EN) Michael E. Bakich, The Cambridge Guide to the Constellations, Cambridge University Press, 1995. ISBN 0-521-44921-9
* (EN) Milton D. Heifetz; Wil Tirion, A Walk through the Heavens: A Guide to Stars and Constellations and their Legends, Cambridge University Press, 2004. ISBN 0-521-54415-7
* AA.VV., Astronomia - From the Earth to the edge of the Universe, Fabbri Editori, 1991.
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Compass
From Wikipedia, the free encyclopedia.
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Compass - If you are looking for other uses, see Compass (disambiguation).
classic compass orientation topographic
The compass is a tool for the identification of the cardinal points. It comes with a magnetized needle that, free to rotate on a pin, has the ability to align along the magnetic lines of Earth's field indicating the north-south direction (within the limits of error due to the magnetic declination).
The use of the compass is essential in the open sea, in vast areas where there are no reference points, as well as references to locate the presence of direction finding with respect to them. Used with a watch and a sextant is possible to have a very accurate navigation system. This tool has improved the navigation by facilitating maritime commerce and travel by sea making them safer and more efficient.
the compass can be associated with a sundial that lets you know the hour of sunshine during the day, simply by observing the shadow produced by the bar, perpendicular to the needle, after it was positioned to the north.
The compass takes its name from the wooden box of box that originally contained this instrument [1] [2].
Index
[hide] * 1 History
compass
* 2 Using a compass
* 3 Construction of a simple compass
* 4 Bushes from modern marine and terrestrial
orientation or 4.1 In the absence of the compass ...
* 5 Possible causes of errors
* 6 Notes * 7 References * 8 External links
* 9 See also
History Compass [edit]
The invention of the compass is attributed to the Chinese and the Vikings. They discovered that the Earth's magnetic field was used as a form of spectacle: Ex arrows were thrown randomly magnetized, as is done with the dice, and "magically" These were aligned to the north, impressing the audience. In the bushes was set free to rotate a needle that you always have in the north. Once we know the position of the north was then possible to identify the South as in the opposite direction, while the east and west, respectively, were to the right and left of the observer facing north. It is certain that the use of the compass as a navigational tool dates back to 1100 at the Chinese themselves. It was introduced in Europe in the twelfth century, probably by the Arabs: the first refers to the use of the compass in navigation in Western Europe is the De nominibus ustensilium Neckam Alexander (1180-1187) [3].
The legend has it that the compass was invented by Flavio Gioia of Amalfi stems from a misinterpretation of a Latin text, which referred only to the invention of the compass was attributed by the historian Flavio Biondo to Coast: the philologist Giambattista Pio understood however that the compass was invented dall'amalfitano Flavio Gioia. The text in question (in Campania Amalphia veterinary Magnetis usus inventus Flavio traditur), however, Flavio not be understood as the inventor of the compass, but only as one who reported the news: Flavio Biondo precisely [2] [4].
Using a compass [edit]
A scout uses a compass to indicate
addition to the north, the compass has the line azimuth. Putting the bush eye looking through the viewfinder and tilt "the support of the viewfinder so that you look through the azimuth line can be seen simultaneously with the lens are many degrees. Beside the compass is also the line with scale 1:50 '000 meters to record the map.
Construction of a simple compass [edit]
compass orientation It
magnetic pole, which can be constructed by aligning a rod of steel or iron with the magnetic field before or hardened strike repeatedly (this method, however, generates a very weak magnet and then ; should use another more effective). After a magnetic rod should put it on a low friction surface with which it can move to align with the Earth's magnetic field. Finally indicating the cardinal points you get a simple but functional compass.
The easiest way to build a compass is to magnetize a needle or a needle, then place it with gently on a small waterproof body and floating in a glass of water. The nearly frictionless water will rotate the needle aligned with the Earth's magnetic poles. Compasses
from modern marine and terrestrial guidance [edit]
modern compasses, especially nautical, crowns are made of swiveling on a pivot immersed in liquids of low density (one of the first was used alcohol) and enclosed spherical transparent domes. On the outside or top of the crown are the compass heading (0 º = North, 90 º = East, 180 ° = South, 270 ° = West), with intermediate degrees (Usually you get to five degrees lower grades to obscure the instrument). The device provides a reliable reading in this way despite the boat movements on three axes (roll, pitch and yaw). They consist of magnetic pole inside a capsule filled with a fluid, the fluid allows the auction to stop quickly without swinging in the direction of the magnetic north pole.
compass orientation and geology with mirror and clinometer
Other common characteristics of bushings that are held in their hands, are the possible presence of: *
a plate below, with a ruler to allow the measurement of distances on maps, while the same oriented;
* wrapped into a small meter rotating un'incastonatura that allows measurements to be made;
* a pointing mirror that allows the user to simultaneously see the compass needle and a distant object to be measured, sighting a viewfinder, the angle formed between user object and a cardinal point, generally north (azimuth);
* a clinometer, or plumb pendulum swinging on a scale to measure angles from the vertical, such as the layers geological
* a bubble or spirit level to make the tool flat.
* In some instruments the bearing scale is not external but is solidarity with the needle, so that sighting a distant point either directly read the azimuth.
Many modern compasses also allow an adjustment for magnetic declination, the difference between true north and magnetic pole, with a simple phase shift of the protractor scale.
In the absence of the compass ... [Edit]
Since ancient times humans had to solve the problem of orientation. During sunny days, just observe it. In fact, they noticed that the sun was rising towards the east and sets to the west. The South corresponds to the position of the sun at noon, and the North to the opposite position.
Considering this fact and using an analog clock, with pointers, synchronized on solar, it may also find the north by projecting the shadow of a straw in the center of the dial kept horizontally on the hour hand. The north / south will be given by bisecting the angle between the shadow and the line passing through the center of the clock to twelve o'clock.
use it, at night, even the stars. The North Star is always above for example of true north: we will be looking at her right arm to the east, west and behind the left we have the south.
Possible causes of errors [edit]
* The north magnetic pole does not correspond exactly to the geographic North Pole: the angle between the north magnetic and geographic north, called magnetic declination, which varies depending on location and over time. Therefore, to determine true north, the magnetic compass is subject to a systematic error, the greater the closer you get to the poles. In order to indicate true north, you can use a gyro compass.
* The presence of strong magnetic fields affect the correct detection of land north by a magnetic compass. The same happens if the compass is placed near metallic objects (in fact, the magnetic needle will point towards the metal).
Compass Aviation
* Other possible causes of failure are high acceleration or the inclination rate on the compass, for example in some aircraft applications. If a plane veers to the north, the compass, due to the change of inclination, at first wheel in the opposite direction from where the plane is turning, then begins to follow the turn to realign with the North only when the aircraft is straightened out, if the plane towards the south, the effect is the opposite: the first turn seems more pronounced and then, when the plane straightens, the compass back. However, if the plane flies mainly east or west, if you move the compass acceleration north, in the case of deceleration to the south. All this applies in the northern hemisphere (the opposite is true in the southern hemisphere).
Notes [edit]
1. ^ The compass - Treccani.it
2. ^ Ab Galeotta was the point - Sapere.it
3. ^ Kirsch, JP (1911). "Alexander of Neckam (Nechama). In: The Catholic Encyclopedia '. New York: Robert Appleton Company. Retrieved June 14, 2009 from New Advent: ([1])
4. ^ Clare Frugoni, Middle Ages on the nose. Glasses, buttons and other medieval inventions, Laterza, Roma-Bari 2007.
References [edit] Cardinal Point
* * Wind Rose
Gyro
* * * Orientation
Pixidis nautical
* Chiesuola
External links [edit]
Compass Guide * *
alleged invention of the compass
Other projects [edit]
* *
Wikimedia Commons Commons Wikimedia Commons has media related
Compass Compass (disambiguation)
From Wikipedia, the free encyclopedia.
Jump to: navigation, search
logo This is a disambiguation page to navigate between items of the same name or title.
If you arrived here from another page, please go back and fix the link to point directly to the intended article.
Index
[hide] * 1
Tools Tools
* 2 * 3 * 4 Architecture
Mechanics Astronomy
* 5 * 6 * 7 Personality
Company
* 8 See also
Tools [edit]
* Compass, you need to know the compass points North, South, East and West.
* Gyro, compass-type gyro
Tools [edit]
* Compass (mechanics), hex or polygonal, to be used in conjunction with a tool.
or wrench sockets, key that allows the use of compasses
Architecture [edit]
* Compass (architecture)
Mechanics [edit]
* bush or bush, this component is also known by the name of bush.
Astronomy [edit]
* Compass (constellation) or
of stars in the Compass
or non-stellar objects in the constellation of Personality Compass
[edit]
* Dionigi Bussola
Company [edit]
* La Bussola Versilia local historian, opened in the fifties and famous for seeing exhibitions and launches Italian and international music stars
References [edit]
* From Compass, music album
* The Golden Compass, the 1996 novel by Philip Pullman * The Golden Compass
(film), 2007 film based on the novel
Compass (mechanical)
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bihexagonal double hex square drive 1 / 2 inch
Compass insulated with 13 mm hex square drive 1 / 2 inch
Compass hex square drive 1 / 4 inch
The compass (socket in the mechanical lingo international English) is a key-like cylinder of various sizes made of steel, one end has a hexagonal or polygonal profile socket and takes the object to rotate, the other is female square plug (usually 1 inch, 3 / 4 ", 1 / 2 ", 3 / 8", 1 / 4 ") and welcomes the special tool that you will use to rotate. The torque can be exercised as the result of forces applied on the edges or the faces of the nuts and bolts of construction depending on the geometry of the profile. It is preferable to exercise the power on the faces instead of edges to transmit more torque and protect them from premature wear, the profile shape for this purpose is said to full contact. The polygonal shape allows easier placement and sometimes angled. There are models for octagonal square profile and square nuts.
compasses are widely used in engineering. These are called metric or imperial, depending on whether their measures are expressed in metric units (usually millimeters) or imperial (usually inches). It is fitted with ratchets and wrenches on both compressed air driven tools is key to a T, with extensions and extenders cardan joints to work in awkward positions or cramped places. Several adapters let you use them up with keys under attack from other dimensions. They are very robust and produce considerable twisting forces without damaging the nut. They are also sold in convenient case (set) with a number of measures, ratchet, extension joints. Some are coated with an insulating material for use in the electricity sector. The tool for manipulating it can be: *
wrench: looks like the common key, but ends with square instead of male beak or key ring
* T: Long key usually articulated at one end that ends with square or male with welded sleeve at the other extreme grip T. The handle is a steel bar, usually removable, which runs in a loop. It is widely used to get nuts in tight spots or inside pipes
* Ratchet: it has a reversible mechanism that allows you to use force in one direction and turn in the trip-free, so as to rotate easily without removing the sleeve from the nut and reposition it at every turn
* wrench: similar to ratchet it allows you to adjust the torque, is very expensive
* key crank or elbow is held with both hands and can be rotated very quickly, however, is cumbersome and needs space to be operated
* grip screwdriver: it is essentially the same as a screwdriver, but ends with square male
Contents [hide] * 1
Compass Crowfoot * 2
Bush for oil filter
* 3 References * 4 External links
Compass Crowfoot [edit] Compass
Crowfoot
uncommon, is closer to a key ring that a compass but fall into this category and is operated with the same tools. It is almost always operated by a third line extension since the use would not offer advantages over traditional keys. Its semicircular shape is low profile, or a hex broken and can squeeze into tight spaces where a normal compass would not ease. The attack framework for the tool but is not coax side, it alters the length of the lever arm and therefore the torque when used with the wrench.
Bush for oil filter [edit]
Bush for oil filter
Also called key to bowl, is wider, lower and grafted on the polygonal head of the oil filter used in the engine lubrication in the crankcase (except engines sump pump). It is made in various shapes and sizes to fit large series of filters, they vaguely cylindrical shape whose top is knitted polygonal profile and can be used as a grip area to rotate, but their housing is of sheet metal and light easily destroyed when the tightening is over. In this case, the key to bowl becomes moot, and must proceed with more drastic methods.
References [edit]
* Key (mechanical)
* Workshop (Mechanical)
Compass (architecture)
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The compass is an architectural building access consists of an enclosed area separated by two doors, one that gives access to the outside and one that gives the building where is placed.
is a very widespread in the churches, where the compass, usually made of wood, creating a small access area built inside of it.
The compass is also an inevitable element in the bank buildings where, in reinforced anti-theft and anti-burglary, with a metal detector to control the entry of weapons, regulates access guest (usually a person at a time) to the indoors.
Compass (constellation)
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Compass constellation Pyxis constellation map.png Map
▼ expand
See the image of the constellation
Pyx.png
compass image
Latin name
Genitive
Pyxis
Pyxidis
Abbreviation Pyx
Coordinates
ascension 9 h Declination -30 °
Total area 221 square degrees
visible from Earth observation data
- Latitude
Minimum - Maximum Latitude
- Transit to
meridian 50 ° -90 °
March
main
Stella - Magnitude app. α Pyx
3.68
Other stars
- Magnitude app. \u0026lt;3
- Magnitude app. \u0026lt;6
No
18
meteor showers
None
Bordering constellations
From the east, clockwise:
* Hydra
Poppa
* * * Sails
Antlia
Compass (Latin Pyxis) is a constellation Southern child, introduced by Nicolas Louis de Lacaille under the name Pyxis Nautica. It is sometimes considered to be the compass of the ship Argo, although the ancient Greeks certainly did not use compasses to navigate; But it seems that its faint stars were considered in antiquity as the mast of the ship.
Index
[hide] * 1 Features
of stars or 1.1 or 1.2 or 1.3
Double Stars Variable Stars
* 2 deep-sky objects
planetary systems * 3 * 4 * 5 Bibliography Notes
* 6 Other projects
Features [edit] Explanation of Nave Argo
by Johann Hevelius.
The Compass is a small and obscure constellation at the edge of the luminous wake of the Milky Way, east and north the stern of Sails, occupies a region of sky particularly striking barren, while the background is full of stars from the seventh magnitude, especially on the southwest side. The shape of the constellation is outlined by three stars of the third and fourth magnitude, aligned in a north-south, it is inherently very luminoisi three stars, but their great distance will decrease the brightness. In addition to these there are some stars of fifth magnitude. This is the smallest part that has been divided the ancient constellation of Argo, and in particular its nomenclature Bayer is completely independent, unlike the other three constellations being once part of the ship.
The best time for your observation in night sky is between the months of January and May, from the northern hemisphere its detection is difficult because of its southern declination moderately, while from the southern hemisphere is more easily traced. In both cases you must still dark skies and pollution, possibly without the Moon.
of stars [edit] Main article
Main article: List of stars in the Compass.
* α Pyxidis, sometimes known as Al Sumut, is a giant blue magnitude of 3.68, that is 845 years light.
Pyxidis β * is a yellow giant of 3.97 mag, that is 388 years light. * Γ
Pyxidis is an orange giant of magnitude 4.02, that is 209 years light.
Double Stars [edit]
The constellation contains several double stars rather large.
Pyxidis α * The eighth magnitude companion has a well-resolved even with binoculars through the separation of more than 1.5 arc-minutes, but in reality it is not a physical system, but only prospectively. * The Pyxidis
ζ is a yellow star of fifth magnitude which has a tenth-magnitude companion, although their separation is almost a first arc, the low brightness of the secondary component causes it to be observable only with an amateur telescope .
Main double stars [1] [2]
Name
time J2000.0 equatorial coordinates
Magnitude
separation (in arcseconds)
Color
AR
Dec
AB
ζ Pyxidis 08h 39m 43s -29 ° 33 '39 "10.0 5.51 52.3 g α + g
Pyxidis 08h 43m 36s -33 ° 11' 11" 3.68 8.05 98 g + azz
HD 77737 09h 03m 16s -33 ° 36 ' 02 "7.15 8.16 b 13.7 + b ε
Pyxidis 09h 09m 57s -30 ° 21 '55" 5.56 9.25 b 17.8 + b
Variable Stars [edit]
Variable stars Compass are generally unobtrusive, with the exception of some eclipsing variable, such as TY and VV Pyxidis Pyxidis, both oscillating between the sixth and seventh magnitude, and easily visible even with small binoculars, in both phases of maximum those in the least. Main
variable stars [3] [1] [2]
Name
time J2000.0 equatorial coordinates
Magnitude
Period (days) Type
AR
Dec
Max Min
S Pyxidis 09h 05m 05s -25 ° 05 '20 "8.0 14.3 206.10 Mireide
TY Pyxidis 08h 59m 43s -27 ° 58' 49" 6.85 7.50 3.1986 Eclipse
UZ Pyxidis 08h 46m 36s -29 ° 43 '41 "100 6.99 7.47: semiregular (carbon stars)
VV Pyxidis 08h 27m 33s -20 ° 50' 38" 6.57 7.05 4.5962 Eclipse
Objects deep sky [edit] Main article
Main article: Non-stellar objects in the constellation of the Compass.
Despite the partial presence of the Milky Way, the constellation does not contain galactic objects particularly striking.
Among open clusters is the only affordable for small tools is NGC 2627, which contienene some stars of the tenth and eleventh magnitude. Main
non-stellar objects [4] [5] [2]
Name
J2000.0 equatorial coordinates at the time
Type Magnitude
apparent size (in arcminutes)
Names
AR
Dec
NGC 2613 08h 33m 23s -22 ° 58 '23 "10.6 7.2 Galaxy
x 1.8 NGC 2627 08h 37m 14s -29 ° 57 '01 "11 8.4 Open cluster Planetary Systems
[edit]
Among the stars with planetary systems confirmed the constellation is a red dwarf star located only 29 years light from the sun, Gliese 317, confirmed the star has a planet with a mass greater than that of Jupiter orbiting at a distance similar to that which exists between the Earth and the Sun plus a second unconfirmed planet at a distance greater.
planetary systems [1]
System Name
time J2000.0 equatorial coordinates
Magnitude
type star
number of confirmed planets
AR
Dec
HD 73267 08h 36m 18s -34 ° 27 '36 "Nana yellow 8.90 1 (b) HD 73256
08h 36m 23s -30 ° 02 '15" Nana yellow 8.08 1 (b) Gliese 317
08h 40m 59s -23 ° 27' 23 "12.0 red dwarf 2 (b - c)
Notes [edit]
1. ^ Abc Result for Various objects. SIMBAD. Retrieved on June 4, 2009.
2. ^ Abc Alan Hirshfeld, Roger W. Sinnott, Sky Catalogue 2000.0: Volume 2: Double Stars, Variable Stars and NonstellarObjects, Cambridge University Press, aprile 1985. ISBN 0-521-27721-3
3. ^ The International Variable Stars Index - AAVSO in Results for various stars. URL consultato il 20 giugno 2009.
4. ^ The NGC/IC Project Public Database in Results for various objects. URL consultato il 20 giugno 2009.
5. ^ NASA/IPAC Extragalactic Database in Results for various stars. URL consultato il 20 ottobre 2006.
Bibliografia [modifica]
* (EN) Michael E. Bakich, The Cambridge Guide to the Constellations, Cambridge University Press, 1995. ISBN 0-521-44921-9
* (EN) Milton D. Heifetz; Wil Tirion, A Walk through the Heavens: A Guide to Stars and Constellations and Their Legends, Cambridge University Press, 2004. ISBN 0-521-54415-7 *
AA.VV., Astronomy - From the Earth to the edge of the Universe, Fabbri Editori, 1991. Other
[edit] Commons
* *
Wikimedia Commons Wikimedia Commons has media related to Compass (constellation)
Dionigi Bussola
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Dionigi Bussola, Monument to St. Charles Borromeo in Milan.
or Dionysius Dionysius Compass (New York, 1615 - Milan, September 15, 1687) was an artist, painter and sculptor Italian.
operates mainly in Lombardy where he was probably born in 1615. His artistic training took place in Rome where he stayed for a long time: there he studied at the Academy of St. Luke and learned the ropes by Ercole Ferrata. Upon his return to Milan, he continued his work until, in 1645, and in 1658 became the statuary of the Venerable Protostatuario Fabbrica del Duomo in Milan.
few years earlier, was born in 1653, his son Cesare in Milan that will follow in the footsteps of his father also became a sculptor and painter.
Among the works that are preserved to this author at the Cathedral of Milan, it is appropriate to recall the state of San Martin and St. Andrew as well as the vault of the Chapel of Our Lady of the Tree.
moved from Milan, but never permanently leave the factory in Milan, to operate the Shrine of Saronno, in the Certosa di Pavia, for which he carved bas-reliefs depicting the Birth of Christ and the Massacre of the Innocents and the Sacred Mountain of Orta Varallo , Varese and Domodossola.
Index
[hide] * 1
His work for the Sacred Mountains
Bibliography * 2 * 3 References * 4 External links
His work for the Sacred Mountains [edit] The work of this
artist achieved his amazing results during the period when he worked at the Sacred Mountains leaving behind it a heritage of great value.
at the Sacred Mountain of Varallo took care to shape the figures of Paradise in the dome of the Assumption.
A group of statues to the Sacro Monte d'Orta
group of cardinals
As for my time to Domodossola was invited by John Matthew Capis, who promoted the construction of the Sacro Monte Calvario, at the suggestion of the painter Carlo craveggese Mellerio, and chapels Sacro Monte worked from about 1660 until about 1684, performing many statues
* the complex of "Christ died" in the fourteenth station,
* "Christ dying on the Cross" with the figures that surround him in the chapel XII,
* The group of the "Deposition" in XIII chapel
* "Jesus' meeting with the mother" in the fourth chapel,
* "Jesus takes up his cross" in the second chapel,
* Some statues in the chapel of the "Paradise"
* "The Risen Christ" and the statues in the Shrine of the Prophets,
* "The Angel advertiser" and "The Virgin" in the Holy House of Loreto.
the Sacro Monte Varese group performed the Chapel of the Crucifixion for the tenth. The greatest testimony
was left to the Sacred Mount of Orta, where the terracotta statues modeled by the artist, more than one hundred only in XX chapel from which it derives photos this page, there are about 51.
Bibliography [edit]
* Jane Turner (ed.), The Dictionary of Art 5, pp. 296-297. New York, Grove, 1996. ISBN 1884446000
References [edit]
* Certosa di Pavia Milan Cathedral
* * *
Sacro Monte Sacro Monte di Domodossola Sacro Monte di Orta
* *
Sacro Monte di Varese
Friday, June 4, 2010
Dr Arvind Poswal Recommended
If I could, I would give all my smiles, one by one.
If I could, he would never lowered her eyes to the world, never should have been burrowing into the dark scary. If I could I would have kept close to his chest Jared all his life, to prevent something even the slightest scalfisse. To dry the tears before they fall.
But I could not, because I corrected as I could only touch it with his eyes - his breath. My hands shook meat, not to shake him.
Jared was mingled shadow in the night, the night when I did not know to move my feet.
I would have loved to the end of my days, until his last breath snatched from life - until he had he had even the slightest need. Anytime, anywhere. Even if he had not wanted.
Even if the eyes were elusive - as that night. First of all, after life.
"Jared, are you okay?" The boy looked up at me, blowing out a puff of smoke. He nodded slightly, with his movements always just mentioned. Lenses, such as air.
"You?"
never really did not care what I said, I had always said - was a matter of voice, hear my words slipped inside. Like a caress.
And let me love like that, without passion, without flesh or sex - with the calm of the summer.
I nodded too, settled back against the wall outside of Publish, where we had Jared and I holed up.
were breathing thicken in the stomach, the blood coursing through veins, arteries and capillaries - everywhere, swarming.
life.
life flowed into her eyes that night. Inside the wind noise was absent.
was all so crazy, all so horrible. Complicated .
so right.
Right: stop turn on ourselves like tops crazy, stop bleeding inside the body without homes. Stop dying every day from dawn to dusk. With bags under his eyes dug sleepless night.
stop with agony.
The best thing would die next to you, Jared. You know that? You know I would feel happy even when life is spent? You know who would not hurt anything?
between me and Jared had never been much dialogue in truth there was never much in general.
Yet I was enamored of her beauty broken, how he had to suffer with and without us. Inside his cage nightmares blacks as the damn night around us.
Dense, like fog in winter.
"But a fucking lamp post out here, no, eh?" I snapped. Jared looked at me and chuckled softly.
"You are right," he said. And the anger of his insensitivity that was dormant for a lifetime - even more than we did case.
It was useless to attack the non-existent delicacy that flowed into our relationship. A no quarrels.
years now that were not fought. Years that our history was so sore. So sad.
love off her beauty was not enough, because the arms could not surround him and protect him and he ran away, farther and farther away from me. In the darkness, where I never had the courage to set foot.
Inside the ballroom, have fun. The music had changed, something was about 80s. Chelle I could dance with Ana, smiling. Without breaking, without hurting me. So that every eye was a scar inside.
A punch in the stomach.
A leap of faith.
spend my days sewing on the faces of Jared and Michelle smiles outlined, which were a shadow of what I wanted for me. To watch them slip away in the blink of an eye, like melted wax.
continue that race was grueling, so exhausting just to live.
"Bee, I go inside." Jared stood up without giving me time to respond and disappeared like a shadow among the trees, heading for the glass door that was visible among the leaves.
sighed deeply and pulled on his cigarette.
Darkness around. Dark inside. Darkness in the heart.
night, everywhere.
and fear, suddenly dissolved in the blood - enough to shake his legs stretched out on the ground.
Breath ran aground in the throat like every damn time.
Stop the ride, get off .
I wanted to really love it, Jared. As we did not know to do: I wanted her life to be better than he had, better than mine. I wanted my palliative Chelle what he loved so much, worked with him.
But death had dug in, too deep for me to reach the black heart. The skin was marked with scars. He had dug up that beautiful piercing pale face.
And I knew not help but tremble when he was not there and not being able to touch it when it was there.
Puliscimi soul, Jared.
From all that I had vomited inside, from all the death that I tried and I could not ever bring. For Michelle.
for him because I could never do something, not really. I could never clear the mist of his eyes, or hold it with me.
Why Jared was a creature of the night, and I choke in the dark.
"Blake, Blake!"
Jared's hands I shook, settai eyes on him, thus removing them from the black sky which seemed to be to swallow.
Jared could save me always, as I had no strength to do with him.
The heart beats in the chest, the pulse slowed.
"Hey, are you okay?"
No, Jared. I do not want to die. Open lips. Kill .
I nodded with what little 'I remained lucid.
I was in love with Jared when I did not know what it meant to feel Scarnati live from that feeling, to feel your skin burn under a caress.
I was in love when my eyes were green a little 'clearer, and the skin tough.
When he seemed just as much as myself.
Jared had been my companion destruction everywhere, even when we were not so - we were not a couple.
When Andy had spat in my face that I was not really her son nor brother Chelle and Nate, my world was falling apart, dents all bones.
And there he was, handsome as ever, without seraphic expression on his face. Cold and perfect.
And I had swallowed in the eyes, between his lips.
I had had the smell of wild lavender - and restricted freedom of blades on the veins.
Love is never wrong, you know?
Yet there was something wrong with us. In order to look as if it had always been the last time - as if we were one step away from oblivion, from the end so much desired.
In a way I had to love him in that moment, with that desperation rooted in the brain.
But do not collapse. You know, Jared, I do not ever fall.
I never had the courage to really talk with the boy I loved with all my strength, never. Why open would have meant so much to draw them on my story, my pain. It stains the skin Jared had enough of her.
The silence had made the bony texture of life's journey hand in hand. Way swinging. Where we were trying to save us and instead drowned.
At that moment, the panic that still clouded his brain, if we look back we saw again boys, kissing in secret in my room. In the House, with the soft lights of a bedside lamp. With the skins pool.
lips to eat.
devours us mouths, tongues, the first time. Then everything was dormant.
We were soothed us with our lives withered.
"Blake, look at me," he said. She kept whispering, did not require the item like everyone else in those moments. He spoke softly, as if we were always in his holy place of demons sick.
I stroked my cheek and my throat clenched violently.
I wanted to die, I really wanted to - but in his arms, without leaving behind destruction and pain. Disappear, as if it never existed, and that's it.
"I'm fine."
My voice was still strong, however. Sweet, say, but I always set.
The voice of a force that undermines every time I felt that Jared was in the neighborhood. Every time I tore my heart with obsessive love that he brought with him.
I hurt my chest at the thought of losing him forever.
He and Chelle.
Ana.
The idea of being alone, I drilled the mind: dark.
We lose.
"I love you."
whispering voices. Lost in the wind.
Because he was afraid, actually - that I entered into did not want so much to allow him to tell me looking into my eyes. With the real voice. Without a mask.
And that night was not perfect As always the sound thin and anger to God that we had thrown on the ground gently without boiling inside me.
Because we were kids, and we were crazy. And we were going to destroy us all, only to end the agony.
something I had hoped that night we did change his mind. We enlighten the faces, but there were no lights on that night in August.
And we walked still groping.
I found myself alone again with the pain that I tore from the inside, without which it would make Jared really counts, as he approached to lay his lips on mine.
No surprise.
The bites his lips hard, because its flavor on the tongue I remained until the end because I could not hold his hand.
shook her hair between his fingers while his tongue was dictating the pace of the kiss, with impatience and despair. With tears dissolved in the saliva.
E salt.
I heard him breathe in, like a puff of hot air.
I felt shivers down his body.
felt that sucked away the pain, purify the body. The mind.
I stroked her back slowly, over me and I was a kid - because despite the strength, I was as thin as a reed, as he was.
air seem to find one in the mouth of the other. Look for something that was not there.
a sweet taste to remember the last moments of life.
And the only thing that we found this evening: our taste, inside the other.
learn to recognize their eyes closed and leave the world for a while.
Losing coordinates and finding new ways, easier to follow.
would have been nice if we could stop time, stop and sew that moment in time. Forever.
Jared was my constant thought, my obsession, my oxygen. Drugs. Salvation.
My dark soft, who was not afraid.
You're my everything, Jared.
Because there was no life without the love that consumed us, not the superficial understanding that bound us closer together.
There was no life without us. Without laughter broken.
Without Jared.
"Bee, I need to breathe," Jared chuckled away only a few inches.
The His laughter was never true, yet I always warmed inside, deep in the heart.
"Can we do it?" I asked, his voice breaking, his hand tight in mine, to give it heat.
He shrugged his shoulders.
"nothing will change, Blake."
would never change anything.
Mai.
Michelle was the doorway of the entrance, when we set off again in room.
He had lost his eyes: he looked at me and ran. He embraced me. He was trembling.
She wrapped her arms around his thin body.
"Do not leave me, Blake."
He had red marks on her neck, her dress crumpled.
sighed. Jaysen's eyes was enough to make them lose all resolve. Everything we learn together.
held her stronger as I felt pity crush. Jared turned and went inside.
emptiness swallowed my heart for a moment while I stared at his back away, before it ran my hands to caress the hair of Michelle, my partner in life. My only love, after Jared.
I also supported the whole world that night. Sunshine on my shoulders.
Why must end, and I had the energy of despair running beneath the skin.
looked at the sky, hating again all the gods that persecutes on us. The sensitivity of Michelle on its fragility.
"It'll be okay, baby," I muttered.
Michelle put his lips on the mouth, I held her.
"I know."
There was no moon that night in Philadelphia. We were so alone.
So lost.
No surprise.